Marco Sassone was born in Campi Bisenzio, a Tuscan village, in 1942. The family moved to Florence in 1954, and there he met painters Ottone Rosai and Ugo
Maturo, who encouraged him to follow his interest in art. In 1959 he enrolled at the Istituto Galileo Galilei, where he studied architectural drafting for
several years. In 1963 he studied with painter Silvio Loffredo, a professor of art at the Accademia in Florence, himself a pupil of the Austrian master
Loffredo encouraged him to develop his own style and vision. For inspiration, Sassone studied the works of the 19th century Italian
impressionists, the Macchiaioli - Giovanni Fattori, Vito D'Ancona and Silvestro Lega. He began exhibiting his first works at Lo Sprone Cultural Center in
In November 1967, soon after the flood had devastated his city, Sassone moved to California. He exhibited for the first time in the United States at the
Dalzell-Hatfield Galleries in Los Angeles and became a regular exhibitor at the annual Festival
Throughout the seventies, he exhibited extensively in the U.S. and abroad. In 1976 he collaborated with director John Wilson to produce an autobiographical
documentary. The following year his work was exhibited at the National Academy of Design in New York. Marco Sassone received a gold medal in 1978 from the
Italian Academy of Arts, Literature and Science. In 1979 the monograph Sassone by art historian Donelson Hoopes was published in concurrence with
the artist’s exhibition at the Laguna Art Museum. With prescience, Hoopes had observed: “Sassone’s art has evolved from within, and such an organic,
psychological and spiritual process may take his work along new and unforeseen paths.”
In 1981 Sassone moved his studio to San Francisco. During the 80’s his exhibition schedule continued along with his numerous lectures. In 1982 Marco
Sassone was knighted by the president of Italy, Sandro Pertini, into the “Order of the Merit of the Italian Republic”. In 1987 Sassone received a
commendation from Los Angeles Mayor Tom Bradley for his "contribution to the community through his art." In March 1988, the Los Angeles Municipal Art
Gallery mounted his solo exhibition titled Sassone with the publication of a catalogue authored by Janet Dominik. The show travelled to Paris and
was installed at the historic Bernheim-Jeune Gallery for the month of April.
By the late eighties, the artist had become increasingly concerned with social themes. He began extensive and personal research on the homeless and painted
a series of large canvasses and charcoal drawings portraying the life he observed on the streets of San Francisco. A number of these works were exhibited
at the Chicago International Art Exposition, the Basel Art Fair in Switzerland, Body Politic at the San Francisco Arts
Commission Gallery and Issue of Choice at the Los Angeles Contemporary Exhibition (LACE).
In March of 1994, his exhibition “Home on the Streets” opened at the Museo ItaloAmericano in San Francisco. Kenneth Baker, art critic for the San Francisco
Chronicle wrote about his work: “There is true technical brilliance here…In the drawings, his technique seems to discover fresh descriptive possibilities
each time out.” The exhibition traveled to Los Angeles in 1996 and Florence, Italy in 1997, where it was installed in the Cloisters of the Santa Croce
Church. Paola Bortolotti, art critic for La Nazione, wrote: “The persistent theme however does not carry a denunciation of a social problem, but
it is rather the pretext to pour forth onto canvas the urgency of the brush strokes loaded with pigment and ligh.”
In 1997 Marco Sassone received a commission to create a 200 square foot mural in downtown San Francisco. The finished work comprised five canvasses
dedicated to the theme of Il Palio is presently in the permanent collection of Santa Clara University, Santa Clara, California.
In May, 2001, the Museo ItaloAmericano in San Francisco inaugurated the exhibition, “Master and Pupil,” with works by Oskar Kokoschka, Silvio Loffredo,
Marco Sassone. Author Peter Selz, writing in the catalogue, described the link between the three artists: “A canvas like Chinese Reds (1990) in
scarlet color relates to the chromatic scheme of his teacher’s Angel of Death (1998), while alarming paintings like Marlboro Country
(1990) with its human skulls spread in the foreground, or Coit Tower Night (1988) – a painting of deep blue water, a brown hill and a violent
purple sky – all done with an agitated brush, elicit a fervent emotion, comparable to the sensations evoked by the canvases of Kokoschka himself.”
The Palazzo Ducale Museum in Massa-Carrara, Italy presented his retrospective exhibition in March-April, 2002 with the publication of a catalogue authored
by Massimo Bertozzi. The exhibition was reviewed by La Nazione, Florence and La Repubblica, Rome. Ilaria Bonuccelli wrote for La Repubblica, “The man with blue eyes stares out at you. No concessions made. He offers you – perhaps forces upon you – a magnified view of
trashed humanity. The kind that rummages around along the sidewalks of San Francisco. His pupils gape at an interior world which he invites you to enter,
without knocking. The brush-strokes are merciless. ”
Master and Pupil was installed in the Cloister of Sant’ Agostino Museum in Pietrasanta, Italy in 2003. Milly Mostardini wrote in a review for Il Tirreno: “From
Kokoschka to Loffredo and Sassone: The lessons are passed on from master and pupil. Sassone’s expressionism leads to visionary transformations, in an
intense dance of chromatic impastos, with furious, explosive strokes of pigment.”
In 2005 Marco Sassone relocated his studio to Toronto, Canada and immediately forged a rapport with the city.
In 2008 his exhibition Marco Sassone: Toronto opened on April 3 at Odon Wagner Contemporary. Jonathan Goodman, art critic for Art in America, wrote in the exhibition catalogue, "Sassone's audience approaches his work knowing that the paintings are in dialogue with a
tradition going back to the early twentieth century. His expressionism escapes the epithet of anachronistic, however, by being so sharply lived. While his
works are not overly emotional, they gain success because they relate to a complete life of the imagination in which feelings and intellect combine. "
Deirdre Kelly wrote in the Globe and Mail: "With gestural brush strokes and an expressionistic use of color, Sassone romanticizes such banal views
as a Carlaw parking lot and the westbound Gardiner Expressway."
In that same year, 2008, Marco Sassone received a commission to create a mural for the lobby of the Bellagio, a glass tower in downtown Toronto.
The artist prepared drawings and a final study in pastel, in scale for the space. The completed work, comprised of three panels and titled Waterfront, was installed in late October.
In the following years Sassone participated at the International Art Fair, Palm Beach 3 in Florida and in the Group exhibition Summerset
at David Findlay Jr. Fine Art, New York. The artist lectured at Seaton House, the largest homeless shelter in Toronto.
In 2010 Sassone returned to San Francisco to attend the October 1st inauguration of his one man show installed in the splendid space of the Shrine of Saint
Francis. He travelled to Rome for his exhibition Santuario at the Palazzo dell'Informazione. The Adnkronos news agency produced a video-interview
titled Marco Sassone - Quando l'Anima Resta Inchiodata alla Tela. (Marco Sassone - When the Soul is Nailed to the Canvas.)
In 2012 the exhibition Marco Sassone: Watercolours opened at Berenson Fine Art, Toronto. Peter Clothier wrote in the Huffington Post: "These dark
paintings are, after all, not primarily about the darkness that pervades them, but about the light that manages to shine through."
In October he attended the opening of his exhibition Architecture and Nature installed at the Price Tower Art Center, a museum designed by Frank
Lloyd Wright in Bartlesville, Oklahoma.
Sassone's profound interest in the urban landscape resulted in a series of large canvases and watercolours that were recently exhibited at the San Angelo
Museum of Fine Art, San Angelo, Texas in 2014.